Four generations of Northern Irish women, reunited under one roof. A house full of hungry ghosts, with more than one skeleton in the closet. Turn off your phones at dinner.
The 250th anniversary of the birth of Jane Austen is celebrated in fitting style with a new stage adaptation of her dazzling comedy of manners, Emma, produced by the historic Theatre Royal in Bath where Jane Austen spent many happy years.
The Company's Autumn 2025 production is William Shakespeare’s Titus Andronicus, adapted by Luke Mosley, directed by Luke Mosley and Ed Bancroft.
The Blackheart Orchestra is returning to The Lantern, bringing their ethereal, folky/electronic/progressive music back to Sheffield. Their performances in 2023 and 2024's sell-out shows were phenomenal. They filled the auditorium with such wonderful sounds as Rick and Chrissy crisscrossed each other to create their music. It was a mesmerising show, an aural delight.
A history of land rights and protest in folk song and story, the show connects the Norman Conquest and Peasants’ Revolt with current issues like the housing crisis, reparations, climate breakdown and food sovereignty via the Enclosures, English Civil War and Industrial Revolution.
Chris Addison (The Thick of It, Mock the Week) joins Ensemble 360 to bring his infectious enthusiasm for classical music to the Crucible.
Faint Paint are a Sheffield four-piece making melodic, emotionally rich guitar music with a cinematic streak. Their songs drift between the classic and the strange — blending dreamy textures, tight vocal harmonies and a sharp ear for melody.
A brand-new musical version of Benji Davies’ modern-classic The Storm Whale, which tells the story of a boy, a whale washed up on the beach and friendships that will change their lives forever and echo down the generations.
Nigel Kennedy, the best-selling classical violinist of all time, takes to the Crucible Theatre stage for this electrifying evening of music for violin and cello.
A firm favourite, The Little Unsaid return to Sheffield, and it's our pleasure to welcome them to The Lantern. John Elliott has used this moniker for well over a decade now, gaining recognition for genre hopping combinations using elements of alt-folk, electronica, alt-rock and string arrangements.