In the sultry back streets of 1940s New Orleans, fading Southern belle Blanche DuBois seeks solace with her estranged sister Stella. Passions ignite and illusions are shattered in Tennessee Williams’ Pulitzer Prize-winning play as its performed live on the Crucible stage.
This 5 star Edinburgh smash hit is back to continue the party with an exhilarating night of original music, lyrical storytelling, and pure UK garage vibes. How do the bangers we grew up listening to, shape who we are today?
GBCP production of Gilbert and Sullivan's The Yeomen of the Guard
Heather Findlay burst upon the musical scene in 1997 with Mostly Autumn, staying with them for 13 years, as well as having side projects such as Odin Dragonfly. A solo artist since 2010, she has continued to experiment with different band formats, including recent work with The Bee Tellers.
Ensemble 360 is joined by leading harpsichordist Steven Devine for this special evening of music by three members of the Bach family.
Here he is! Yorkshire’s biggest bastard. For one night only! Join owner and MC of The Misty Moon (working men's club in Rotherham/portal to hell) for a slap-up feast of laughs, tricks and mucky bitter.
A group of performers are preparing to start their show, but quickly discover they are not alone on stage. Little Monster wants to be part of the fun too!
In this brand new show, Lee shares his stage with a tough-talking werewolf comedian from the dark forests of the subconscious who hates humanity. The Man-Wulf lays down a ferocious comedy challenge to the culturally irrelevant and physically enfeebled Lee.
Pete Roth Trio started as a rehearsal band, something for some friends to explore the edges of “interactive music” - towards the more experimental end of Jazz. They've now left the rehearsal room, blinking in the sunlight, ready to bring new music to those wanting to hear it.
Mark Farrelly (Quentin Crisp: Naked Hope, Jarman, Howerd's End) presents his riveting, kinetic solo show portraying one of the great English writers of the inter-war years.