Schubert's rousing Octet (perhaps the piece most closely associated with Ensemble 360 over their two decades) showcases the range and breadth of the ensemble, with its jaunty, memorable tunes and high drama. It is coupled here with two works written especially for the group.
Experience the vibrant soundscape of London’s King’s Cross with Echoes from the Birdcage. These works capture the diversity of the city, from the meditative echoes of Messiaen to the energetic beats of Steve Reich and works infused with jazz and Balkan folk dance.
Janáček’s intricate second quartet – nicknamed ‘Intimate Letters’ – is skilfully interspersed with the Czech composer’s own writing, performed by an actor, in this specially scripted performance of the work for Ensemble 360 with actor.
This afternoon concert begins with the ‘Mother Goose’ Suite. Ravel’s delightful, whimsical work sets fairytales to music, performed here in a chamber arrangement.
A technical masterpiece, and Soviet cinema at its finest, don't miss the screening of this influential and visionary piece of cinema with the original soundtrack performed live by Ensemble 360, to mark the film’s centenary year.
Members of the celebrated Elias Quartet join forces with their friends and former colleagues in Ensemble 360 for this very special concert.
For this ‘Relaxed’ concert of American music featuring Barber’s much-loved Adagio and Copland’s joyful Appalachian Spring, doors will be left open, lights raised, a break-out space provided and there will be less emphasis on the audience being quiet during the performance.
Donald Grant, Elias Quartet violinist, is also a master of the folk fiddle. Raised in the Highlands, Donald was immersed in Gaelic song and Scottish music from an early age.