For this, the final in his series, Ensemble 360’s violinist Benjamin Nabarro will present Bach’s third Sonata and Partita. Inventive, profoundly imaginative, and demonstrating a mastery of the form unmatched in the 400 years since their composition, these are pieces that continue to dazzle and amaze.
For this, the final in his series, Ensemble 360’s violinist Benjamin Nabarro will present Bach’s third Sonata and Partita. Inventive, profoundly imaginative, and demonstrating a mastery of the form unmatched in the 400 years since their composition, these are pieces that continue to dazzle and amaze.
Step inside the music of Bach, up-close and re-imagined, in this specially created 8 speaker surround-sound installation based on Bach's Sonata No.1 performed by violinist Benjamin Nabarro.
Step inside the music of Bach, up-close and re-imagined, in this specially created 8 speaker surround-sound installation based on Bach's Sonata No.1 performed by violinist Benjamin Nabarro.
Music by Philip Glass, Meredith Monk and Moondog sits alongside works by JS Bach in this recital by Monegasque-Sri Lankan pianist, Shani Diluka.
Leading Messiaen scholar Christopher Dingle (Professor of Music at Royal Birmingham Conservatoire) joins musicians from Ensemble 360 for this roundtable discussion exploring one of the great masterpieces of the twentieth century: Messiaen’s Quartet for the End of Time.
Olivier Messiaen’s Quartet for the End of Time is the centrepiece of this concert showcasing music to mark the 80th anniversary of the end of the Second World War and the liberation of the internment, concentration and death camps of Europe.
The Piatti Quartet have been described by composer Julian Anderson as “living treasures of chamber music… meticulous attention to detail is combined with strong expressive impulse and a wonderful sense of musical drama”, and return to the Playhouse after several rapturously received concerts across their stellar career.
In 1913 Debussy and Ravel began a somewhat friendly rivalry to set three poems by Stéphane Mallarmé, whose words, like the music of these great French composers, explored the same shimmering textures beloved of their contemporary impressionist painters.
Praised for her “warm, sensitive pianism” (The Observer), and for performances that are “a masterclass in the art of holding an audience’s attention” (Cherwell), Libby Burgess returns to Sheffield for a recital of some of the best-loved music for solo piano.